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 | IN MONTAUK | |
Cast: | Nina Kaczorowski, Lukas Hassel, George Katt | Crew: | Producers: Kim Cummings - Screenwriters: Kim Cummings - Cinematographer: Brian Dilg - Editor: Eleanor Burke - Composer: Charlie Schmid - Photos: Aja Nisenson
| Email: | kcummings nyc.rr.com |
synopsis Julie Wagner has everything today's young woman thinks she wants: a successful husband who adores her, a baby on the way, a close circle of family and friends, and a career as a photographer that is about to take off. So why is she alone in Montauk in the middle of December? During the cold, stark days, Julie throws herself into capturing her artistic vision for an upcoming solo show, yielding works of deep passion and instinct; at night, she restlessly taps away at her computer, plagued by uncertainty about the impending trajectories of her life.When a prickly but brilliant composer-musician knocks on her door with an odd request, Julie ushers in a series of events that will bring her in contact with her buried hopes and fears, and force her to make choices she couldn't have fathomed. At once shocking and wise, In Montauk is a now-familiar story turned inside-out by a main character who can't help but put herself into the most uncomfortable position of all--confronting life's imperfect choices in the hopes of grasping one through which she can be true to herself.
director Kim Cummings wrote and directed the award-winning short film WEEKI WACHEE GIRLS, which has played in over seventy festivals around the world since 2000. It picked up three "Best of" awards and was a finalist for best short film at Taos in 2000. WEEKI WACHEE GIRLS was picked up by KQED, San Fransciso's PBS station and NY Metro channels and is distributed by Buskfilms.com. FLOWER OF A GIRL is her second film. It premiered at the Staten Island Film Festival and has played in various festivals on the East Coast. Cummings is currently in post-production on two projects: a short entitled THAT'S WHAT SHE TOLD ME and her first feature film, IN MONTAUK, for which she was awarded post-production funds from the Long Island Film Foundation and Queens Council on the Arts.
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